lindsay
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I decided to do an audit of my film supplies in the garage fridge/freezer, as I had no idea what was in there. I knew I'd gone a bit mad on some less orthodox films from time to time, but it was quite surprising.
In the sheet film, not that much to report - some 10x8 FP4 and 4x5 Delta 100 plus Fomapan 100
In 120, a healthy mixture: Portra 400 (3), Kentmere 100 (2), FP4 (7), Ektar 100 (5), Gold 200 (10) - nice as like shooting MF colour on the C330.
However in 35mm I found I only had 4 colour films, one of which is Velvia slide film and two are Harman Phoenix. Then I found loads of B&W film - I mean loads - ranging from Cinestill 800 and XX, to a good quantity of HP5 with some Adox, Washi, and several SFX and a Rollei IR film.
So it looks like I need to start shooting the B&W 35mm on the Pentaxes, which is not a hardship, and since Mrs P has taken a liking to her Pentax 17 and a Pentax MZ5n that I offered her, and prefers shooting mono, I think we should be ok. I did want to contribute to the FPOTY in the coming year!
Do others have a good handle on their film supplies?
In the sheet film, not that much to report - some 10x8 FP4 and 4x5 Delta 100 plus Fomapan 100
In 120, a healthy mixture: Portra 400 (3), Kentmere 100 (2), FP4 (7), Ektar 100 (5), Gold 200 (10) - nice as like shooting MF colour on the C330.
However in 35mm I found I only had 4 colour films, one of which is Velvia slide film and two are Harman Phoenix. Then I found loads of B&W film - I mean loads - ranging from Cinestill 800 and XX, to a good quantity of HP5 with some Adox, Washi, and several SFX and a Rollei IR film.
So it looks like I need to start shooting the B&W 35mm on the Pentaxes, which is not a hardship, and since Mrs P has taken a liking to her Pentax 17 and a Pentax MZ5n that I offered her, and prefers shooting mono, I think we should be ok. I did want to contribute to the FPOTY in the coming year!
Do others have a good handle on their film supplies?