OFFICIAL I HAVE A NEW (FILM RELATED) TOY THREAD!!

That's exactly the story with my remaining Tri-X in 35mm. The next gig I photograph will be a university friend's party with all my surviving mates. I need to push the film 2 stops I should think. I'll use HP5 I think rather than abuse the out-of-date Tri-X. Explain that logic to me.
 
Photo Cinema July 1935
Published by camera shop Photo-Plait (owner Henri Plait), 35, Rue Lafayette, Paris-Opera (special offers for 14th July, naturally). 400 pages. Incredibly comprehensive, I wonder if pre-war French photographers with GAS would read it from cover to cover? Well, that's the sort of thing I like to do.

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Own brand 9x12 plate camera. Clam a free leather case worth 22 francs (following payment in full).

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Sample pages of paper backdrops, small samples pasted into the catalogue. Not the Lumiere bookmark.

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I'm going to need help from my Oxford-Hachette dictionary I think.
I forgot to mention that today, 14th July, you can get a free gift worth 50 fr. when you place your order with Photo-Plait. It's a light meter, Lios-Scop, an extinction type (http://www.earlyphotography.co.uk/site/entry_E58.html). It is, of course, the cheapest of the Lios-Scop range. Vive La France!
 
I was given a couple of 8mm cameras today. Seems like they might have been stored in a loft, they are pretty grotty. One double 8 camera, a Paillard Bolex (model unknown for now), the other another singlr 8 camera, a Carena Zoomex.

Paillard Bolex B8LA Vintage 8mm Movie Film Camera With Yvar f1.9/13mm Lens (can't get the lens cap off so can't confirm!)
This improved version of the B-8L was introduced in 1961. It featured the addition of a film rewind slot, a more sensitive meter and a built in prism for focal length lenses of 5.5mm.

The camera came with a few Kodachrome 25 films. Maybe one is used, it's canned without a box.

It seems that the camera might be compromised, there are missing screws and it won't wind up, but it is an incredibly well built thing.

IMG_1939.jpg


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This camera can be wound and fired. I don't know if there is a film in it, the frame counter is clocking up. It came with a Super 8 cartridge but it seems it might be 8mm double run (see link above).

Anyway, it came with a Kodachrome Super 8 film, although is standard 8?
 
Well a bit off topic but assuming members would be interested in coming to this thread so something I never thought of until I read it:-
If you go to boot sales etc look out for disposable cameras going cheap as it seems you put the camera in a dark bag and take out the film for use in your camera.
H'mm thinking...... only a few years ago went to a wedding and all the disposable cameras were left on the table..........what a waste.
 
Well a bit off topic but assuming members would be interested in coming to this thread so something I never thought of until I read it:-
If you go to boot sales etc look out for disposable cameras going cheap as it seems you put the camera in a dark bag and take out the film for use in your camera.
H'mm thinking...... only a few years ago went to a wedding and all the disposable cameras were left on the table..........what a waste.

I think they're meant to be left on the table.

The cameras are usually placed there for the guests to take photos of stuff that happens during the event. After it finishes, all the cameras will be collected and the films processed and the couple get to see loads of photos of things that happened during their big day that they probably missed. It will be loads of random stuff that the professional photographer will either miss or not have time to shoot, but will add to the memories of the day.

You'd have been in the bad books if you'd taken them all! :LOL:
 
Well a bit off topic but assuming members would be interested in coming to this thread so something I never thought of until I read it:-
If you go to boot sales etc look out for disposable cameras going cheap as it seems you put the camera in a dark bag and take out the film for use in your camera.
H'mm thinking...... only a few years ago went to a wedding and all the disposable cameras were left on the table..........what a waste.
If you do this, bear in mind that the film inside the camera is wound out of the cassette so that when it is finished the camera can be broken open in daylight to extract the film for processing, or so I believe.
 
I think they're meant to be left on the table.

The cameras are usually placed there for the guests to take photos of stuff that happens during the event. After it finishes, all the cameras will be collected and the films processed and the couple get to see loads of photos of things that happened during their big day that they probably missed. It will be loads of random stuff that the professional photographer will either miss or not have time to shoot, but will add to the memories of the day.

You'd have been in the bad books if you'd taken them all! :LOL:
:rolleyes: :eggface: I didn't know any of that...but I'm probably the only invite to take a 35mm camera to a funeral o_O
 
Surprisingly, I was once asked to take some photographs at a funeral. The clergy were outraged but it wasn't my idea. The weather was awful but some of the photographs at the wake seemed OK. Don't really understand the assumed prohibition about taking pictures at funerals, or anytime, come to think of it. I'll make it a condition of my funeral! Ain't got your camera don't come.
 
Surprisingly, I was once asked to take some photographs at a funeral.
Aargh! That brings back memories.

When I worked at a North London Studio, in 1969, we were asked to photograph a deceased gentleman from India, the pictures to be sent "home" to his extended family. I was sent off with the spare Rolleiflex, a set of close up lenses and the two headed Metz flash. When I got there, I was shown into a large living room with several members of the family and a rather nice looking, fair haired young lady.

I had no idea what to expect but the subject turned out to look extremely healthy. I ran off the whole film and then was offered a cup of tea. I asked the blonde if she was related to the deceased. "Oh no," She replied, "I did the makeup!" It turned out that her day job was at Sheperton Studios but she had a sideline in doing this sort of stuff.

I'm happy to admit that this was my one and only post mortem shoot!
 
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Aargh! That brings back memories.

When I worked at a North London Studio, in 1969, we were asked to photograph a deceased gentleman from India, the pictures to be sent "home" to his extended family. I was sent off with the spare Rolleiflex, a set of close up lenses and the two headed Metz flash. When I got there, I was shown into a large living room with several members of the family and a rather nice looking, fair haired young lady.

I had no idea what to expect but the subject turned out to look extremely healthy. I ran off the whole film and then was offered a cup of tea. I asked the blonde if she was related to the deceased. "Oh no," She replied, "I did the makeup!" It turned out that her day job was at Sheperton Studios but she had a sideline in doing this sort of stuff.

I'm happy to admit that this was my one and only post mortem shoot!
My only interest is shots of people I know e.g. relatives who I haven't seen for 5,10,15, 20 etc years and just a distant shot of funeral cars.
Anyway back on topic have bought quite a few Cokin adapters for 35mm lenses (only had one for RB67) to try and recreate my double exposure shots where for e.g. a duplicate shot of someone, something by blanking each half (of the shot) with the attachment.
Shot taken about 35 years ago with RB67
zfTmrvo.jpg
 
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I've just received a birthday present from my 89-year old father - the remains of his film camera collection. He'd given me a few cameras previously but I had no idea he still had all these in his loft.

There are 23 cameras:

Kodak No 3 folding brownie camera Model D
No 3 folding pocket Kodak Model E-8
No 2 folding pocket Brownie Model B
Kershaw Eight-20 Penguin
Robin Hood film camera
Houghton-Butcher No 5 Ensign Carbine
Ross Ensign Snapper
Kodak Brownie Flash III
Kodak Brownie Flash B
Houghton-Butcher Ensign 2 1/4 B
Coronet Captain
Ensign All-distance
Manex Box
Ensign E29 portrait camera
Ensign E29 blue
Bilura Boy
Baby Brownie
Ensign Selfix 320
Coronet Every Distance
Kodak Baby Hawkeye
Halina AF
Olympus Shoot & Go
Olympus Trip

The first three in the list above take pretty big negatives - around quarter plate size - and they will be the first I'll try out with paper negatives.

23 cameras from Nelson copy.jpg
 
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Happy birthday - in this case both a wish and a statement :)
 
Found at a Car Boot sale today. Very clean, but no caps or case for £45 (just need to learn how to drive it now)

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Looks very tidy - congratulations!

Here's a link to the manual --> http://www.canonfd.org/manuals/a-1.pdf

If you are inclined to stopping down the lens for DoF preview pay particular attention to page 64, or you will suffer from the "EEEE EE" problem.

Hope it doesn't have the Canon shutter cough, mine does and I can't seem to clear it. Not that it affects the exposure so far as I can tell.
 
Looks very tidy - congratulations!

Here's a link to the manual --> http://www.canonfd.org/manuals/a-1.pdf

If you are inclined to stopping down the lens for DoF preview pay particular attention to page 64, or you will suffer from the "EEEE EE" problem.

Hope it doesn't have the Canon shutter cough, mine does and I can't seem to clear it. Not that it affects the exposure so far as I can tell.
No squeaks on it at all. My first FD mount Canon, and indeed my first camera with "Pure-Integrated Injection Logic" :oops: :$
 
Found at a Car Boot sale today. Very clean, but no caps or case for £45 (just need to learn how to drive it now)

View attachment 398935
Well done..I bought the same one at the bootie about 5 or 6 years ago and mine didn't have a squeek but didn't spot the slower return of the mirror. The squeek or slow mirror return is caused by the oil drying out on the mirror damping system. I fixed two Canon cameras with this problem and how to do it is on the net and for me have forgotten how I did it o_O (well it was years ago but do remember using a long needle with a drop of oil on the eye end).
 
Well done..I bought the same one at the bootie about 5 or 6 years ago and mine didn't have a squeek but didn't spot the slower return of the mirror. The squeek or slow mirror return is caused by the oil drying out on the mirror damping system. I fixed two Canon cameras with this problem and how to do it is on the net and for me have forgotten how I did it o_O (well it was years ago but do remember using a long needle with a drop of oil on the eye end).
There's youtube video of a guy doing an AE-1 and it took a minute. I'm guessing the A-1 is the same under the base plate.
 
Not even seen a camera at a boot sale this year :( and yes I am a early bird.
 
Not even seen a camera at a boot sale this year :( and yes I am a early bird.
The boot sale I was at opened at noon, and we got there after 1pm. The guy had this and a mint AE-1, plus a number of AF SLRs, but I didn't have enough cash to get more than this.
 
Next level.
Next level from the A1 was the T90.....superb camera with a working shutter for the problem you probably could blame the digi guys for many or quite a few as they bought their digi cameras and put their T90 in a cuboard unused for years, then decided to sell and found the shutter wasn't working because of seized magnets or in a warm cupboard the rubber around shutter got gooey .
I've had mine for about 8 years with no problem.
 
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A boxed Vega 2 16mm:

IMG_20230825_111247511_HDR.jpg

One of the cartridges is marked Minolta and at least one of the others seems to be original. I understand the Kiev and Minolta cartridges are interchangeable for this camera. Internally it seems to be an exact copy of the Minolta 16 II.

IMG_20230825_111411264.jpg

Externally it's a little different to the Minolta having a sunny 16 type calculator (not coupled of course) but more interestingly it has a dial for focus distance - I'm not convinced it does anything though. The apertures (f3.5-11) and shutter speeds (1/30, 1/60, 1/200) are more limited than the Minolta 16 II.

It took me a while to find them but inside the case in pockets and wrapped in ancient tissue paper are 2 filters - 1 orange, 1 yellow.

It seems to be working. I'll run some Kentmere 100 through it and post any results. Oh, it was £15 + p&p.
 
The Subclub page for the Kiev suggests that the cassettes for the original Vega are interchangeable with Minolta either way but that for the Vega 2 the cassettes were modified internally to allow for 30 exposures and that they are not usable in the Minolta, but it's not clear whether the Minolta cassettes can still be used in the Vega 2
 
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Ok, anyone knowledgeable tell me if it was a stupid buy.
All for £150 not specified if it works or not, not even if the enlarger comes with a Lens.
But i can see it has everything needed for printing and developing film (although already have dev equipment).
Also looks like there’s a bulk film loader.
Haven’t received it yet, just made the order yesterday.
Let me know what you think,
Did i overpay?
 
View attachment 400447

Ok, anyone knowledgeable tell me if it was a stupid buy.
All for £150 not specified if it works or not, not even if the enlarger comes with a Lens.
But i can see it has everything needed for printing and developing film (although already have dev equipment).
Also looks like there’s a bulk film loader.
Haven’t received it yet, just made the order yesterday.
Let me know what you think,
Did i overpay?
I don't know about overpay as it largely depends on what you want it for.
My personal opinion is that I would have bought a colour enlarger with built in variable filtration. That's just me though.
 
View attachment 400447

Ok, anyone knowledgeable tell me if it was a stupid buy.
All for £150 not specified if it works or not, not even if the enlarger comes with a Lens.
But i can see it has everything needed for printing and developing film (although already have dev equipment).
Also looks like there’s a bulk film loader.
Haven’t received it yet, just made the order yesterday.
Let me know what you think,
Did i overpay?
It could have cost you more to put that together with individual items but then again you do occasionally see people giving darkroom kit away so if you over paid is entirely in your mind.
If you do need a lens for the enlarger then even good ones can be had for not a lot of money on the auction sites or perhaps ask in the items wanted part of the forum.
What ever you do there will always be a bigger better enlarger to lust after, they are like tripods or motorbikes :) Do have fun in the dark, I know I really miss having a darkroom.
 
It could have cost you more to put that together with individual items but then again you do occasionally see people giving darkroom kit away so if you over paid is entirely in your mind.
If you do need a lens for the enlarger then even good ones can be had for not a lot of money on the auction sites or perhaps ask in the items wanted part of the forum.
What ever you do there will always be a bigger better enlarger to lust after, they are like tripods or motorbikes :) Do have fun in the dark, I know I really miss having a darkroom.
I too miss having a darkroom but who prints pictures these days?
I'd love to go back to the pre-digital times.
 
I too miss having a darkroom but who prints pictures these days?
I'd love to go back to the pre-digital times.
A good wet process print made by a skilled printer can be a thing of beauty, I was proficient but not an expert printer. From a scanned negative I can do so much more in Photo shop than I was ever capable of in the darkroom but like using a film camera it was the process that I enjoyed not necessarily the end result.
 
@soupdragon having to remember how to print and all that is going to keep me busy for a long time, colour is going to make things more complicated for me

It could have cost you more to put that together with individual items but then again you do occasionally see people giving darkroom kit away so if you over paid is entirely in your mind.
Well if everything works ok i suppose the price is ok then
Do have fun in the dark, I know I really miss having a darkroom.
Same, i have a feeling it was more of an impulse buy but at the same time i miss a darkroom a lot.
 
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Ok here we go, what did i get my self into :LOL:

I was happy to receive the darkroom equipment but that feeling didn’t last much when i realised the enlarger is not in great condition.
.
.
The boxed stuff was new, i doubt I’ll be using them. But the funnel, jugs and containers will come handy.
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Yayy two developing tanks, the other was was brand new. I loved these old Paterson tanks, they’re really well made, prefer them from the new ones.
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Bulk film loader works ok:)
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All new in the boxes, measuring cylinders. colour print drum????? What’s that??
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Unopened photo paper? I’ll try it anyway, not sure if itsexpired or not.
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