I don't think burst rate has a lot to do with it, apart from those rare crash drama moments.
I've always thought what a motorsport camera needs is a "panic button" which instanstly drops the camera into high speed frame rate and ups the shutter speed to something mental along with raising the ISO to match.... so you can be in single shot, ISO100, 1/20th panning then when something crashes, whack the panic button and hose away.
Neither Canon nor Nikon have answered my emails on the subject... bloody non-motorsport togs!
No, I don't mean some sort of fiddly dial, I want a PANIC BUTTON. It needs to be large, red and have the words PANIC BUTTON written on it
Alternatively, voice activated so when I go "5h1111111111ttttt!" it allows me to catch the tumbling fireball as it rolls towards me
activated by the sound of gravel
Speedster502 said:Interesting. I shoot RAW currently (I have a 350D, the files don't take up that much space), just because I feel I have a bit more control. But reading through this I get the impression I should be switching to JPEG?
When it comes to my editing of the RAW, I find that I pick the the best ones straight away (there's a browser I've got that allows me to see what they all look like on a big scale), then the Photoshop RAW editing panel that comes up has everything that I'd usually want to do with my editing. It's probably quicker than editing a JPEG for me in reality...
Storage wise, once the event is over and I've sifted through the rest from the event I move all the RAW's over onto a external hard drive for if I ever need them again.