- Messages
- 8,731
- Name
- Trevor
- Edit My Images
- No
Needs a smoking gun…Another play with adding smoke
04 A7R01868 Re-Edit by Toby Gunnee, on Flickr
16 A7R01838 Re-Edit by Toby Gunnee, on Flickr
14 A7R01825 Re-Edit by Toby Gunnee, on Flickr
Needs a smoking gun…Another play with adding smoke
04 A7R01868 Re-Edit by Toby Gunnee, on Flickr
16 A7R01838 Re-Edit by Toby Gunnee, on Flickr
14 A7R01825 Re-Edit by Toby Gunnee, on Flickr
I did consider itNeeds a smoking gun…
The D610 was the budget FF model at the time and the D700/D750 were both very solid cameras, in fact even after a drop at height onto the pavement my D750 shows almost no damage. The Z8 has a very solid tank like build I certainly couldn't fault either. That said I don't like the size and funnily enough when checking the A9 for @snerkler the camera feels remarkably small, even the D750 which is a good bit smaller than the Z8 feels bulky alongside the A9. I do prefer Sony's dial design as well where you just turn a dial which I find quicker and simpler plus I can tell when I pick up the camera what mode it's in rather than Nikon's design where you have to hold a button and rotate a dial to set the camera up.I hope they feel better made than the D610 - my Sony A58 felt better made. And as for the D70, that really was a nasty plastic-fantastic.
Going back to the D750 at the weekend the A7RV and A1 definitely feel more solid and better built to me.We never had any issues with the D750 build quality and we had lots of them at one point we had 6 of them.
Personally none of the Sony bodies have come close until I got an A9III which is the first Sony body that actually feels like a high end camera body.
Going back to the D750 at the weekend the A7RV and A1 definitely feel more solid and better built to me.
More or less, it doesn’t feel quite as nice in terms of the buttons and dials though.Just comes down to personal opinion I guess the A1 just feels the same as the other older Sony bodies to me. Haven't used an A7RV to comment on that one, but isn't it just the same body?
That’s interesting you would have thought it would be the other way around with the A7RV being the newer body.More or less, it doesn’t feel quite as nice in terms of the buttons and dials though.
Well the A1 is their ‘flagship’ and is almost double the cost so you’d hope imagine they’d use better components, although there’s not a lot in it to be fair. I still find the flip out LCD screen on the A7RV feels a bit cheap and plasticky compared to the tilt screen.That’s interesting you would have thought it would be the other way around with the A7RV being the newer body.
Really I find the new style screen to be pretty robust on the A9III and think they are the same one. It’s a much more useful screen as well.Well the A1 is their ‘flagship’ and is almost double the cost so you’d hope imagine they’d use better components, although there’s not a lot in it to be fair. I still find the flip out LCD screen on the A7RV feels a bit cheap and plasticky compared to the tilt screen.
I think it’s robust, it just feels plasticky.Really I find the new style screen to be pretty robust on the A9III and think they are the same one. It’s a much more useful screen as well.
Be surprised if it’s anything to get too excited about. A1II with the new a.f and the new lcd screen or an A7V with an extra 2fps and the new a.f.New FF camera?
New Sony Full Frame Alpha camera will be announced on or around November 19! – sonyalpharumors
www.sonyalpharumors.com
Mrs WW is due back next week and I've received orders to take down pictures of the people who've caused us so much grief in the last few years so I've today printed out a couple of pictures each filling an A4 sheet and they look very nice This new Canon Pro 200 is definitely a step forward over the Epson R2880 it replaced.
One thing I did notice is that when printing with the Canon there doesn't seem to be a print set up page like I had with the Epson. Perhaps there is and I just didn't get to it, although I did look, but I didn't spot a page allowing tweaking of contrast, saturation, brightness and the other things which the Epson allowed. I'll have another look when I have more time and I have to say that the prints came out great and didn't need any tweaking for printing
This has been the most pain free home printing I've done for years
Alan
Download Canon Print Studio Pro (it will work with any of the Pro printers), it can be used as a plugin for LR and PS - that will give you all the control you need and IMO the soft proofing is better than Adobe's. I spent a good half hour with a Canon Printing Specialist at a show and he explained that it goes in a lower level in teh printer driver, and therefore more functionality is available.
Print Studio Pro - PIXMA Professional Photo Printers
Canon’s Print Studio Pro plug-in provides the perfect workflow link between your image and the finished printed product. This unique software is designed specifically for PIXMA professional printers and lets you achieve expert quality photo prints with ease.www.canon.co.uk
An A1 II would be exciting imo, and A7V not so much. The sooner the A1 II is released the sooner it will reduce in price, although going by the A1 it will be at least two years after release it will come into my price range.Be surprised if it’s anything to get too excited about. A1II with the new a.f and the new lcd screen or an A7V with an extra 2fps and the new a.f.
An A1 II would be exciting imo, and A7V not so much. The sooner the A1 II is released the sooner it will reduce in price, although going by the A1 it will be at least two years after release it will come into my price range.
The only down side to that is the secondhand value of our A1s will drop.An A1 II would be exciting imo, and A7V not so much. The sooner the A1 II is released the sooner it will reduce in price, although going by the A1 it will be at least two years after release it will come into my price range.
That's a good thing if you don't have one and want one though. Assuming the A1 II's subject recognition is as good or better than the A7RV I'd likely get rid of the A7RV for the A1 II and therefore have an A1 and A1 II. I used the A1 and A7RV to photograph Sheffield FC last weekend and the A7RV is certianly not a sports cameraThe only down side to that is the secondhand value of our A1s will drop.
I couldn't justify the cost of two A1s even if one was a A1ii. I guess if I was daring I could sell my A1 now and hope it's the A1 ii that comes out next month. Then if I was doing that I could also consider going back to Nikon.That's a good thing if you don't have one and want one though. Assuming the A1 II's subject recognition is as good or better than the A7RV I'd likely get rid of the A7RV for the A1 II and therefore have an A1 and A1 II. I used the A1 and A7RV to photograph Sheffield FC last weekend and the A7RV is certianly not a sports camera
I've been on the fence for a while about an upgrade, would love an A1 but out of my price range. Was going back and forth between a A7 IV and A7RV, hoping for the most incredible A1 II to help used prices.The only down side to that is the secondhand value of our A1s will drop.
Wait till after next month too see what comes out. If its a A1 ii then prices of secondhand A1 will drop, how quick, that I'm not sure of.I've been on the fence for a while about an upgrade, would love an A1 but out of my price range. Was going back and forth between a A7 IV and A7RV, hoping for the most incredible A1 II to help used prices.
Life’s short, if I don’t need the money for something else then I can justify having an A1 and A1 II. Since having two bodies I have found it beneficial so I’m glad I took the plunge. In hind sight I could’ve just kept the A9 II when I swapped to the A1 but you live and learnI couldn't justify the cost of two A1s even if one was a A1ii. I guess if I was daring I could sell my A1 now and hope it's the A1 ii that comes out next month. Then if I was doing that I could also consider going back to Nikon.
That’s it, I’ve a A9 as well.Life’s short, if I don’t need the money for something else then I can justify having an A1 and A1 II. Since having two bodies I have found it beneficial so I’m glad I took the plunge. In hind sight I could’ve just kept the A9 II when I swapped to the A1 but you live and learn
I'm positive there is a manual adjustment tab on the print preference page. It should be set to auto as default.One thing I did notice is that when printing with the Canon there doesn't seem to be a print set up page like I had with the Epson. Perhaps there is and I just didn't get to it, although I did look, but I didn't spot a page allowing tweaking of contrast, saturation, brightness and the other things which the Epson allowed. I'll have another look when I have more time and I have to say that the prints came out great and didn't need any tweaking for printing
I'm positive there is a manual adjustment tab on the print preference page. It should be set to auto as default.
Look very good to me Toby. I love to see deep oily Blacks and Crisp Whites.Been going through some photos from earlier this year and giving them a black and white edit, I think I might finally be happy with my B&W settings
1.
A1_08605-Edit-2 by Toby Gunnee, on Flickr
2.
A1_08736-Edit-2-Edit by Toby Gunnee, on Flickr
3.
A1_08761-Edit by Toby Gunnee, on Flickr
4.
A1_09104-Edit-2 by Toby Gunnee, on Flickr
5.
A1_09267-Edit-2 by Toby Gunnee, on Flickr
6.
A1_09317-Edit by Toby Gunnee, on Flickr
7.
A1_09535-Edit by Toby Gunnee, on Flickr
.8
A1_09711-Edit by Toby Gunnee, on Flickr
Thanks Trev.Look very good to me Toby. I love to see deep oily Blacks and Crisp Whites.
Lovely.
I tend to want to make my B&W look like they've been lifted from an old photo album.
Thanks for the feedback So a bit like the one on the right?For me, I quite like a lifted black point, giving the image a look more like some of the old fibre papers I used to use. I also slightly tint the image, which often gives a sense of more depth.
That's for my pictures of course - Toby's look great as they are.
Yes. I'd probably also do the split-tone thing (a PITA with the current version of LR) to warm up the paper just a very little, then add -2 temperature and +2 tint for a slightly richer look to the emulsion.Thanks for the feedback So a bit like the one on the right?
Interesting, thanks.Yes. I'd probably also do the split-tone thing (a PITA with the current version of LR) to warm up the paper just a very little, then add -2 temperature and +2 tint for a slightly richer look to the emulsion.
Interesting, thanks.