Show us yer film shots then!

freecom2 said:
Apologies, I didn't mean this to be a clinical examination of the photo, maybe I'm just used to seeing the results of this combination on medium format and that's the explanation for the difference.
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No problem! Perhaps I will stick it in the crit section so we can discuss.
 
A few from a roll of Velvia 50 shot back in July, processed last week!

All shot with the Canon EF
Aberavon House
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St Mary's Church
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Margam Road
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Margam Road
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Alan Clogwyn said:
I like that, grain's not too bad either. There's some newton ring action going on though, something I've also noticed in recent Ektar rolls.

How did you add the exif?
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ta, yea having a few rings on this roll. As for the EXIF just batch select the images once scanned in, then edit properties and add the camera maker and model. I did download a fancy program for adding exif but this is simpler!
 
One from the IS1000

135mm, f-something and Kodak Colorplus (I hate typing that without the "u")
20111107124401_scan-111017-0014.jpg
 
Attempted to simulate in the editor what I've done with on a wet print before. Namely, make a dark print dodging the middle third, add a heavy vignette and add a graduated tone to the upper half in diluted mix of brown toner. Looks pretty close.


1954 Aston Martin DB2/4 Drophead Coupe



M7II, 65mm, 400TMY, N-2, Yellow Filter (yellow car)

​
 
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a tree

ilford hp5 plus nikon fm 50mm series e lens

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thank you John ,,,,have some inspiration on me

DSC_0002_Medium_.JPG
 
Jon Goodman is the ''Man''

already have his kits for both my 2 EMs [dont ask..!]..just need to get off my ass

that's a serious amount of cleaner.. i use a small can of lighter fluid...:shrug:

a winter project methinks
 
Yardbent said:
Jon Goodman is the ''Man''
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:plus1: for Jon, a top fella, really helpful and will always find a way of making a kit for the more obscure cameras.
 
Taken this year, very grey low light February morning with F80, Nikkor 28-80mm and Fuji Superia 200 Asa.


Nature reserve.

33910013CS5.jpg
 
Ah I see the spamming nutcase has gone...Mark must have been working thru the night (y)
 
erm the reflection has made this shot too complicated:-

Hexanon 28mm f3.5, superia 200 and usual Asda etc
hex28mm41000px-1.jpg



...and for horse lovers:-
Hexanon 28mm f3.5 and etc same as above
hex28mm21000px.jpg
 
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medwaygreen said:
Taken this year, very grey low light February morning with F80, Nikkor 28-80mm and Fuji Superia 200 Asa.

Nature reserve.

33910013CS5.jpg
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superb

looks like something out of the Everglades, or that movie ''Deliverance' with "Dueling Banjos"
 
a few taken with my Bronica SQ-A with Portra 400 film. Just trying to get used to the whole square thing!







 
that portra 400 looks fantastic, is that the new emulsion?
 
Yardbent said:
superb

looks like something out of the Everglades, or that movie ''Deliverance' with "Dueling Banjos"
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Thanks John,

I had not thought of that, I guess it does a bit.(y)
 
Starastin said:
most definitely the new one. It only came out last december I think.
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In the US, everywhere else sadly had to wait until late January to get it despite Kodak claiming it to be on sale from October 2010...
 
s162216 said:
In the US, everywhere else sadly had to wait until late January to get it despite Kodak claiming it to be on sale from October 2010...
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I guess USA is long gone as a biggest market for film . japan probably is now. that might be the reason. to pick USa over somewhere else.
 
essexash said:
a few taken with my Bronica SQ-A with Portra 400 film. Just trying to get used to the whole square thing!
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With results that good, I might just be persuaded to drop Ektar and just use Portra..
 
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