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Gorgeous shot, Nige - Portra has added a great tone to the lamp colours, and great eye for the framing too - I really like it!
Have been enjoying film again this summer, mostly with an Olympus Trip 35
Mostly Jazz Festival, Birmingham. Olympus Trip 35, Fuji Superia 400. Test roll after getting the camera, and light seals now fixed. Although I quite like the effect on the robot
Robot, Mostly Jazz Festival 2017 by Stephen Sanders, on Flickr
Helter Skelter in Cannon Hill Park, Birmingham on a very rare August day with blue skies. Trip 35, Portra 400
Helter Skelter by Stephen Sanders, on Flickr
My Uncle's dog, Fred. Trip 35, Portra 400
Fred by Stephen Sanders, on Flickr
That's a glorious onion!
Perhaps it used to be a phone box?Unfortunately it smelt like wee inside.
Thanks! I guess sometimes when the light is right, the colours come punching through even on old c200, no post processing done at all, it's just what the film captured.@Nikkorr Colours are lush on those, C200 looks pretty nice !
A little bit of Welsh loveliness. The view from Porthmadog on a Mamiya C330f, 180mm lens and Kodak Ektar 100, 3 shots stitched in PS11.
Porthmadog-Pano by Andy, on Flickr
You're digging out some very nice shots Andy, if I were being picky I'd like to see a fraction more light on the drivers/engineers face (if it doesn't get too noisy) and I'm not to keen on your chosen font, but that's being unnecessarily picky.A bit of black and white conversion and general tinkering. Welsh Highland Railway, Porthmadog.
I'm really rather pleased with this one especially as 30 seconds earlier we were standing in what can only be described as a biblical rain/hail storm, out in the open with only thin waterproof coats, trying desperately to keep both cameras and ourselves from drowning/blowing away.
WHR2 by Andy, on Flickr
Mamiya C330f, Mamiya-Sekor 180mm lens on Portra 160NS converted in PS11.
A bit of black and white conversion and general tinkering. Welsh Highland Railway, Porthmadog.
I'm really rather pleased with this one especially as 30 seconds earlier we were standing in what can only be described as a biblical rain/hail storm, out in the open with only thin waterproof coats, trying desperately to keep both cameras and ourselves from drowning/blowing away.
WHR2 by Andy, on Flickr
Mamiya C330f, Mamiya-Sekor 180mm lens on Portra 160NS converted in PS11.