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I haven't seen one either. But there are war zone photographers, auto riggers, drone fliers, accidents, students , etc and accidents happen. Sometimes camera gets delivered by my herpes or Amazon. That tooI don't know what's going on there, it all seems very strange. There's far far less 'sample variation' with cameras than with lenses especially with mirrorless and on sensor AF systems. Sometimes DSLRs did have subtle AF module alignment issue meaning that it would focus more accurately (sharper) on some AF points than others, but again it's not common (although I had it with a D750). I've not personally heard or read about any such issues with mirrorless. I certainly wouldn't avoid buying any mirrorless camera through 'fear' of getting a bad copy.
Picked it up this morning. Probably won’t get much of a chance to test it today, but am off work tomorrow and at Southend.Tamron 17-50 f4 just ordered, hopefully it will be here tomorrow
I had a very short play with the Z9 at WEX and found that subject detect would not work with quite a few of the focus area modes. I just can't see how you can select subjects with the precision you have with the Sony AF system and single spot. I didn't try the 3D AF, and wonder if it can be assigned to a separate button so that you can have different 'BBF modes' depending on the button you hold down like you can with Sony and Canon mirrorless. Ergonomics seemed a big chunky in the grip department - so much so that I felt the dials were difficult to utilise - however it did have a security tether which wasn't helping me properly handle it. Display was beautiful on the back compared to my A9Had a go with the Z9 and Sony 400mm F2.8 GM coupled together with the Megadap adapter. No issues with the physical fitment which feels very solid. Focus seems very quick but a little jumpy. I will have to do more tests as the jumpiness could just as easily be my understanding of the Nikon AF. I shot one half with the Z9 and the other with the A1. The first obvious difference is the EVF, the A1 wins hands down. Next up I find the ergonomics of the Sony better in terms of changing setting particularly the AF modes and subject detection. My inexperience of the Nikon system will be part of that though. While I was very impressed with teh Nikon shooting boxing and using Auto area I was far less impressed with Rugby AF. The 3D box is very small and if you have subject detection on it jumps to another players face even quicker than the A1. The custom Af boxes are great but they can't be used with tracking from what I see. I'd love to have the ability to create a focus area and then have it track like the Sony cameras do. Hopefully there will be a nice sports camera next week to mull over but after the first few weeks of the Z9 I am still in the Sony camp at the moment. I'll not make a decision until I have used teh camera far more though and consulted a few mates on how they use AF for field sports
You can assign a BBF button for 3d in the same way as you can with Sony. You can only have one recall button though so not as good as Sony. You can also hand off focus between BBF and teh shutter button. Not sure you can do that with Sony as there is no need. So start on teh shutter in auto area and then go for BBF with 3d. That is what birders do but it is hopeless for team sports as you don't have control what auto af chooses. I actually think teh z9 picks up heads and eyes quicker but it is not as predictable when there are multiple subjects. If they can train a camera to actually recognise a subject and stick with them even if their head dips that will be ideal for team sports. As it is both brands jump to a nearby face when your subjects face is out of view. The back screen is much better but for sports I never use that and only use the EVF. The Sony EVF is a good deal better. I was shooting landscapes the other day and teh screen of the Z9 and its tilt function were a joy to useI had a very short play with the Z9 at WEX and found that subject detect would not work with quite a few of the focus area modes. I just can't see how you can select subjects with the precision you have with the Sony AF system and single spot. I didn't try the 3D AF, and wonder if it can be assigned to a separate button so that you can have different 'BBF modes' depending on the button you hold down like you can with Sony and Canon mirrorless. Ergonomics seemed a big chunky in the grip department - so much so that I felt the dials were difficult to utilise - however it did have a security tether which wasn't helping me properly handle it. Display was beautiful on the back compared to my A9
Have you tried the Z9 with wildlife, especially birds, and does AF still pick the background up on occasion?Had a go with the Z9 and Sony 400mm F2.8 GM coupled together with the Megadap adapter. No issues with the physical fitment which feels very solid. Focus seems very quick but a little jumpy. I will have to do more tests as the jumpiness could just as easily be my understanding of the Nikon AF. I shot one half with the Z9 and the other with the A1. The first obvious difference is the EVF, the A1 wins hands down. Next up I find the ergonomics of the Sony better in terms of changing setting particularly the AF modes and subject detection. My inexperience of the Nikon system will be part of that though. While I was very impressed with teh Nikon shooting boxing and using Auto area I was far less impressed with Rugby AF. The 3D box is very small and if you have subject detection on it jumps to another players face even quicker than the A1. The custom Af boxes are great but they can't be used with tracking from what I see. I'd love to have the ability to create a focus area and then have it track like the Sony cameras do. Hopefully there will be a nice sports camera next week to mull over but after the first few weeks of the Z9 I am still in the Sony camp at the moment. I'll not make a decision until I have used teh camera far more though and consulted a few mates on how they use AF for field sports
I moved the stickiness setting but not sure it makes much difference when the subject detection finds something else to detect after losing its initial target. I'll try to do some wildlife but I don't do much with the Sony so hard to compare. I did take the A1 out with the 200-600 earlier this year and it worked really well and was easy to use. All the images were against simple backgrounds though.Have you tried the Z9 with wildlife, especially birds, and does AF still pick the background up on occasion?
With regards to the AF swapping to subjects more quickly is this not down to the AF ‘stickiness’ setting?
I thought the A1 was the only Sony that could use electronic shutter with flash. Also Godox have to be switched on in a certain order for them to work.Here's the issue -View: https://www.youtube.com/watch?v=5X3g7y4eQN8
Is this a Godox issue only, does anybody use a Sony Flash / Profoto Flash? Can somebody check if the same issue occurs and requires a on / off cycle of the camera or flash to get the flash to fire?
You can assign a BBF button for 3d in the same way as you can with Sony. You can only have one recall button though so not as good as Sony. You can also hand off focus between BBF and teh shutter button. Not sure you can do that with Sony as there is no need. So start on teh shutter in auto area and then go for BBF with 3d. That is what birders do but it is hopeless for team sports as you don't have control what auto af chooses. I actually think teh z9 picks up heads and eyes quicker but it is not as predictable when there are multiple subjects. If they can train a camera to actually recognise a subject and stick with them even if their head dips that will be ideal for team sports. As it is both brands jump to a nearby face when your subjects face is out of view. The back screen is much better but for sports I never use that and only use the EVF. The Sony EVF is a good deal better. I was shooting landscapes the other day and teh screen of the Z9 and its tilt function were a joy to use
It’s switching from no flash on electronic shutter, to flash on mechanical shutter that’s the problem. You’re right electronic shutter with flash doesn’t work on the a9I thought the A1 was the only Sony that could use electronic shutter with flash. Also Godox have to be switched on in a certain order for them to work.
Am I understanding you correctly that you're using an E-mount Sony lens on the Z-mount Nikon? If so, how does it work compared to native performance on a Sony body?Had a go with the Z9 and Sony 400mm F2.8 GM coupled together with the Megadap adapter. No issues with the physical fitment which feels very solid. Focus seems very quick but a little jumpy. I will have to do more tests as the jumpiness could just as easily be my understanding of the Nikon AF. I shot one half with the Z9 and the other with the A1. The first obvious difference is the EVF, the A1 wins hands down. Next up I find the ergonomics of the Sony better in terms of changing setting particularly the AF modes and subject detection. My inexperience of the Nikon system will be part of that though. While I was very impressed with teh Nikon shooting boxing and using Auto area I was far less impressed with Rugby AF. The 3D box is very small and if you have subject detection on it jumps to another players face even quicker than the A1. The custom Af boxes are great but they can't be used with tracking from what I see. I'd love to have the ability to create a focus area and then have it track like the Sony cameras do. Hopefully there will be a nice sports camera next week to mull over but after the first few weeks of the Z9 I am still in the Sony camp at the moment. I'll not make a decision until I have used teh camera far more though and consulted a few mates on how they use AF for field sports
She says silent shutter though so I thought she was just turning the fake shutter noises offIt’s switching from no flash on electronic shutter, to flash on mechanical shutter that’s the problem. You’re right electronic shutter with flash doesn’t work on the a9
Early days but it works really well. If I was tracking a single subject running then I doubt it would be much different from the A1. I'm hoping to give it a test with a running dog with same lens and A1 and Z9 against each other. If I could find a willing kid or adult to do some runs for me that would be ideal but my kids are now teenagers so would be wanting big bucks for that lolAm I understanding you correctly that you're using an E-mount Sony lens on the Z-mount Nikon? If so, how does it work compared to native performance on a Sony body?
Worlds first feature?
Hope it's a useful one
Just something else to add to the list of things their "flagship" A1 doesn't have ;(
Worlds first feature?
Hope it's a useful one
I struggle to know what else they can add, although I think there's a clue in that it's a world's first feature on any professional sports/wildlife camera and not a world's first on any camera. Has there been focus stacking on a sports camera before? Maybe they're reintroducing the panoramic featureWorlds first feature?
Hope it's a useful one
I think it will be the second chip for AI focussing that the A7RV has. Z9 has focus stacking albeit not able to process in camera. The second chip would be what the A1 is most missing and if the algorithms continue to refine it will be what takes AF to the next level. Hopefully it will be something even better but that must be in the next stacked sensor cameraI struggle to know what else they can add, although I think there's a clue in that it's a world's first feature on any professional sports/wildlife camera and not a world's first on any camera. Has there been focus stacking on a sports camera before? Maybe they're reintroducing the panoramic feature
24MP Global Shutter for the A9iii
Impressive if true24MP Global Shutter for the A9iii
I've never seen a bent camera beforeI wonder how much value a global shutter adds over having a stacked sensor.
I guess it gets rid of any bending issues, not that there was much of it anyway
No rolling shutter but once again stacked sensors are good enough for that be not an issue.
But I probably completely removes need for a mechanical shutter?
Ment to say bandingI've never seen a bent camera before
As you say the A1 has made global shutter less relevant but it's still a big step forward one that's sure to take things to the next level. It will be interesting to see how it handles noise, DR etc and how soon they can make a higher res version. I wonder if the A1 II will be on hold until they do?
The noise will be fascinating. If it improved a stop or too that would be massive.I've never seen a bent camera before
As you say the A1 has made global shutter less relevant but it's still a big step forward one that's sure to take things to the next level. It will be interesting to see how it handles noise, DR etc and how soon they can make a higher res version. I wonder if the A1 II will be on hold until they do?
Impressive if true
I wonder how much value a global shutter adds over having a stacked sensor.
I guess it gets rid of any banding issues, not that there was much of it anyway
No rolling shutter but once again stacked sensors are good enough for that be not an issue.
But it probably completely removes need for a mechanical shutter?
Yeah, that's kind of what I was saying, the A1 (and Z9) are so good with the electronic shutter now that the 'wow' factor of a global shutter has diminished somewhat. No banding and ability to use with HSS flash will be useful to some though.Not sure I have ever seen any evidence of rolling shutter with the A1 or Z9. I will certainly benefit from faster sync speeds and no banding but until the specs are announced and the reviews start it is hard to know if it will be something I will consider. Assuming the rumour site is correct in the first place. I'd far rather have better autofocus that can keep tracking a subject even if the face is hidden momentarily than a global shutter but both would be good