Nikon Z* mirrorless

I have the 28mm f2.8 & 40mm f2. To be honest, I keep looking at the 35mm & 50mm f1.8 and it appears from almost everything I’ve read there isn’t ‘that’ much difference between the 40mm & 50mm. That’s why as yet, I haven’t gone down the route of 50mm.

I do think you can see a difference in image quality between the 28mm & 40mm, but again it’s not that significant. The 40mm does seem a bit of a sleeper, with an unfair stigma of it’s quality based on the stellar S prime lenses.

I have a simple 'rule' on this, which is... if you can buy the very best then do so, that then removes any possible excuse of "its my gear"

I very VERY nearly went for the 40mm, but I still had it nagging me that I know the 'S' line is better; also, if I wanted a 40mm I'd go for the 35mm S-line instead and crop :D
 
I have a simple 'rule' on this, which is... if you can buy the very best then do so, that then removes any possible excuse of "its my gear"

I very VERY nearly went for the 40mm, but I still had it nagging me that I know the 'S' line is better; also, if I wanted a 40mm I'd go for the 35mm S-line instead and crop :D
Yes but the question was about small lenses
 
I have a simple 'rule' on this, which is... if you can buy the very best then do so, that then removes any possible excuse of "its my gear"

I very VERY nearly went for the 40mm, but I still had it nagging me that I know the 'S' line is better; also, if I wanted a 40mm I'd go for the 35mm S-line instead and crop :D
Totally agree Dave, although the size and weight difference make a compelling argument for me based on the fact I use zoom lenses for ‘most’ of what I shoot.

I am intrigued to know ‘just how much’ better the 35 or 50 S line lenses are than the 40mm. Everything I’ve ever read seem to think very little.

As an example if the 50mm S line was as perfect as my 50mm Summicron is for sharpness/fall off/micro contrast it would definitely make a compelling argument. As an aside the 40mm f2 can’t hold a candle to my little ‘cron (and I wouldn’t expect it to in fairness).
 
Totally agree Dave, although the size and weight difference make a compelling argument for me based on the fact I use zoom lenses for ‘most’ of what I shoot.

I am intrigued to know ‘just how much’ better the 35 or 50 S line lenses are than the 40mm. Everything I’ve ever read seem to think very little.

As an example if the 50mm S line was as perfect as my 50mm Summicron is for sharpness/fall off/micro contrast it would definitely make a compelling argument. As an aside the 40mm f2 can’t hold a candle to my little ‘cron (and I wouldn’t expect it to in fairness).
Lens comparison review link
 

Sorry for the late reply. I went from ZFC to ZF and back to ZFC. For what I do, I couldn't see any noticeable difference in IQ between the two but there was a HUGE difference in size and weight in practical terms.

Initially I mourned the cheaper feel of the ZFC. Nikon then went wholeheartedly the other way and produced a "tank" of a camera. To begin with I loved what they'd done but, at the end of the day, they went from one extreme to the other. I'd have loved something of the weight, size and quality of my old FM2-N.

I eventually sold the ZF and bought another ZFC and haven't looked back. Yes, the crop sensor is a pain in some respects and I'd prefer my 21mm lens to be rendered 21mm but I can live with that. My 14-30mm and 24-70mm Z lenses still work beautifully on the ZFC.

For those who don't make their main crust from photography, the best camera is the one you have with you. The ZFC stays with me most days and I don't find it a problem. It's on holiday with me now in Kefalonia along with two vintage Leica lenses.

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Totally agree Dave, although the size and weight difference make a compelling argument for me based on the fact I use zoom lenses for ‘most’ of what I shoot.

I am intrigued to know ‘just how much’ better the 35 or 50 S line lenses are than the 40mm. Everything I’ve ever read seem to think very little.

As an example if the 50mm S line was as perfect as my 50mm Summicron is for sharpness/fall off/micro contrast it would definitely make a compelling argument. As an aside the 40mm f2 can’t hold a candle to my little ‘cron (and I wouldn’t expect it to in fairness).
The 50mm Voigtlander APO laughs in the face of the 50mm S :p
 
The 50mm Voigtlander APO laughs in the face of the 50mm S :p
Got to agree on this. My copy of the 50mm 1.8 S wasn't that great and I sold it on pretty quickly. The Voigtlander is in a different league IMO.

Must give a shout out for the 85mm 1.8 S though, incredibly sharp lens on my Z8. Too sharp my wife thinks, as she can see her imperfections in the photos I take of her :LOL:
 
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On the subject of 50mm lenses anyone tried the Nikon Z 1.4 version yet?
 
Sorry for the late reply. I went from ZFC to ZF and back to ZFC. For what I do, I couldn't see any noticeable difference in IQ between the two but there was a HUGE difference in size and weight in practical terms.

Initially I mourned the cheaper feel of the ZFC. Nikon then went wholeheartedly the other way and produced a "tank" of a camera. To begin with I loved what they'd done but, at the end of the day, they went from one extreme to the other. I'd have loved something of the weight, size and quality of my old FM2-N.

I eventually sold the ZF and bought another ZFC and haven't looked back. Yes, the crop sensor is a pain in some respects and I'd prefer my 21mm lens to be rendered 21mm but I can live with that. My 14-30mm and 24-70mm Z lenses still work beautifully on the ZFC.

For those who don't make their main crust from photography, the best camera is the one you have with you. The ZFC stays with me most days and I don't find it a problem. It's on holiday with me now in Kefalonia along with two vintage Leica lenses.

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Got to say I agree with you. Due to continued shoulder issues and other age and health constraints, I am very seriously considering giving up my Zf in favour of my Zfc. In fact, I don't think I've used the Zf since I bought the Zfc - I find it just too cumbersome for my needs and can get what I want, albeit by being careful sometimes, from he Zfc.
 
Got to say I agree with you. Due to continued shoulder issues and other age and health constraints, I am very seriously considering giving up my Zf in favour of my Zfc. In fact, I don't think I've used the Zf since I bought the Zfc - I find it just too cumbersome for my needs and can get what I want, albeit by being careful sometimes, from he Zfc.
Sorry you're not doing well with your shoulders. I have had three Subacromial Decompression operations to my shoulders (2 left, 1right)along with Ulnar Nerve repositioning, if you can avoid these type of operations I would from my experiences.

On another note with the ZFC, can you change the colour of the focus point/square when shooting in manual? I prefer green squares for my eyes but I can't find a way to change the colour from the current red colour.
 
Sorry you're not doing well with your shoulders. I have had three Subacromial Decompression operations to my shoulders (2 left, 1right)along with Ulnar Nerve repositioning, if you can avoid these type of operations I would from my experiences.

On another note with the ZFC, can you change the colour of the focus point/square when shooting in manual? I prefer green squares for my eyes but I can't find a way to change the colour from the current red colour.
I had an operation for impingement on my right shoulder about 10 years ago, and it’s been perfect since. The surgeon was going to do the left once it had settled, but we moved out of the area. In the interim the NHS decided that operation could no longer be done as “it wasn’t a proven cure”! So I’m left with an iffy left shoulder which has already had a hydro-distension, which was fine for a year, but now they only want to do physio.

Anyway, no, I don’t think you can change the colour of the focus point.
 
Got to agree on this. My copy of the 50mm 1.8 S wasn't that great and I sold it on pretty quickly. The Voigtlander is in a different league IMO.

Must give a shout out for the 85mm 1.8 S though, incredibly sharp lens on my Z8. Too sharp my wife thinks, as she can see her imperfections in the photos I take of her :LOL:
Do you think you had a not-so-great copy of the 50 S? Mine is absolutely fantastic and I've not seen anything but praise for it anywhere online.
 
Do you think you had a not-so-great copy of the 50 S? Mine is absolutely fantastic and I've not seen anything but praise for it anywhere online.
When I had one back in 2020 I thought the 50s was exceptionally sharp, in fact I'm currently moving my Sigma 50mm f/1.4 ART & FTZII on to make way for the 50mm s again due to weight
ZSC_2033 by Gilbo B, on Flickr
 
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On another note with the ZFC, can you change the colour of the focus point/square when shooting in manual? I prefer green squares for my eyes but I can't find a way to change the colour from the current red colour.

Try changing the colour of the focus peaking. That should probably changing everything to that colour.
 
I have the 28mm f2.8 & 40mm f2. To be honest, I keep looking at the 35mm & 50mm f1.8 and it appears from almost everything I’ve read there isn’t ‘that’ much difference between the 40mm & 50mm. That’s why as yet, I haven’t gone down the route of 50mm.

I do think you can see a difference in image quality between the 28mm & 40mm, but again it’s not that significant. The 40mm does seem a bit of a sleeper, with an unfair stigma of it’s quality based on the stellar S prime lenses.
Never using a prime, I'm unsure what focal length I'd prefer. The 28mm se does appeal more as I could flip into dx mode for 42mm. That said, it's 2.8 when the whole point is to gain as much out of focus background.
 
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I've recently tested the Z system waters with a Z5 and like what i see. The only thing i'm not happy about is the low light AF and noise above 3200. Not bothered about video so i'm really wanting to know people's real world experience of the image quality of the ZF and Z6 III - is there any noticeable difference especially in lower light? I'd imagine the improved AF systems are very close as both meant to be excellent. I shoot events and ergonomically the Z6 III would be the sensible choice but is the dynamic range less due to the part stacked sensor ? There's a good difference cost wise between the two so not really wanting to pay extra for advanced video features i'll never use. I'll keep the Z5 as a backup and trade in my workhorses D750 that are starting to let me down on AF with old age. Final question i really like the quiet mechanical shutter on the Z5, a god send at quiet events. Is the ZF purposely loud to recreate the vintage element of it's personality ? Could be a deal breaker if so as don't want to go back to a D750esque shutter gunshot
1f642.png
 
I've recently tested the Z system waters with a Z5 and like what i see. The only thing i'm not happy about is the low light AF and noise above 3200. Not bothered about video so i'm really wanting to know people's real world experience of the image quality of the ZF and Z6 III - is there any noticeable difference especially in lower light? I'd imagine the improved AF systems are very close as both meant to be excellent. I shoot events and ergonomically the Z6 III would be the sensible choice but is the dynamic range less due to the part stacked sensor ? There's a good difference cost wise between the two so not really wanting to pay extra for advanced video features i'll never use. I'll keep the Z5 as a backup and trade in my workhorses D750 that are starting to let me down on AF with old age. Final question i really like the quiet mechanical shutter on the Z5, a god send at quiet events. Is the ZF purposely loud to recreate the vintage element of it's personality ? Could be a deal breaker if so as don't want to go back to a D750esque shutter gunshot
1f642.png

Zf shutter sounds like a guillotine dropping down :D
I never used any other Nikon cameras, so cannot comment on similarities. But Sony a7II and a7c had a little bit quieter shutter.
I barely remember, but when had some nice SLR cameras from Minolta back in 90s and 00s, those had a nice plasticky clicky shutter sound - nothing like Zf's sound:)
 
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I've recently tested the Z system waters with a Z5 and like what i see. The only thing i'm not happy about is the low light AF and noise above 3200. Not bothered about video so i'm really wanting to know people's real world experience of the image quality of the ZF and Z6 III - is there any noticeable difference especially in lower light? I'd imagine the improved AF systems are very close as both meant to be excellent. I shoot events and ergonomically the Z6 III would be the sensible choice but is the dynamic range less due to the part stacked sensor ? There's a good difference cost wise between the two so not really wanting to pay extra for advanced video features i'll never use. I'll keep the Z5 as a backup and trade in my workhorses D750 that are starting to let me down on AF with old age. Final question i really like the quiet mechanical shutter on the Z5, a god send at quiet events. Is the ZF purposely loud to recreate the vintage element of it's personality ? Could be a deal breaker if so as don't want to go back to a D750esque shutter gunshot
1f642.png
There are several very good de-noising softwares out e.g. Topaz and DxO offerings. I use the DxO stuff as I use the DxO Photo Lab Elite v8 product. In the past I use Topaz De-Noise with CaptureOne Pro and that worked well.
There is a good de-noise feature built into Lightroom Classic as well.
However with all these products it is about learning to use them so there is a learning curve, AI features do lessen this curve but you still need to learn how each on works best.
 
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Zf shutter sounds like a guillotine dropping down :D
I never used any other Nikon cameras, so cannot comment on similarities. But Sony a7II and a7c had a little bit quieter shutter.
I barely remember, but when had some nice SLR cameras from Minolta back in 90s and 00s, those had a nice plasticky clicky shutter sound - nothing like Zf's sound:)

Ah no - i'm going to have to test one now :-( If it loud it's a deal breaker as silent mode risks banding too much and i can't take that chance.
 
Just a point for @mikeyw re noise

I shoot regularly at 8,000-16,000 ISO and use DxO's PureRaw (for pretty much everything) any its made any concerns over a noise a thing of the past for me :)

Thanks - ideally didnrt want to introuduce more workflow as might be 400+ images at a larger event, if it can be automated might still be viable. I'll take a look.
 
There are several very good de-noising softwares out e.g. Topaz and DxO offerings. I use the DxO stuff as I use the DxO Photo Lab Elite v8 product. In the past I use Topaz De-Noise with CaptureOne Pro and that worked well.
There is a good de-noise feature built into Lightroom Classic as well.
However with all these products it is about learning to use them so there is a learning curve, AI features do lessen this curve but you still need to learn how each on works best.

Thanks i've played the LR denoise, it's good but slow. Seems DxO is far quicker and better. Does it ever go on Black Friday offers ?
 
Ah no - i'm going to have to test one now :-( If it loud it's a deal breaker as silent mode risks banding too much and i can't take that chance.
Yeah, I mean, I like that sound, but it is louder than Sony A7 cameras I had in the past. I think Sony A7x have similar shutter sound so if you knwo those, you can imagine that Zf being louder. Zf sound is like multiple clicks in a split of a second, not like just single pure click, if you know what I mean.
Best way is to try it out in a shop, or even check youtube videos!

To have some fun, I would compare it to the drummers sticks :) You know drummers use their sticks, dont know how its properly called, but lets call them sticks:)
So they usually use single stick-stick, but sometimes like jazz drummers have those weird sticks, like brush-sticks, with lots of single thin sticks put together, so feels like those all make complex noise, not purely single "thock". So its like that, only do it with 3 small nails lightly dropped on a mirror :)
Now, that is fun comparison, if someone says that its nothing like that, then I'm deaf :wacky:
 
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Ah no - i'm going to have to test one now :-( If it loud it's a deal breaker as silent mode risks banding too much and i can't take that chance.

Just get a Z8 then - no shutter noise to worry about :ROFLMAO:

I have to say, I'm quite impressed with the dampened and soft shutter sound from my Sony A7RV - it's very quite in mechanical shutter mode, but I think that's mainly when you have EFSC (Electronic Front-Curtain Shutter) activated, but even then, it's still not a quiet as my Z8 or Z9 :)
 
Ah no - i'm going to have to test one now :-( If it loud it's a deal breaker as silent mode risks banding too much and i can't take that chance.
I use the mechanical shutter on my Zf. Purely because it sounds so good. I use electronic on my other cameras. Don’t write it off. Definitely try one.
 
Do you think you had a not-so-great copy of the 50 S? Mine is absolutely fantastic and I've not seen anything but praise for it anywhere online.
Yes as I said, my copy wasn't great. When stopping down to f4 or something it improved. My 85mm is perfect from f1.8. I also didn't find the 70-180mm great wide open in the 70-105mm range, I then changed to the 70-200 f2.8 and its tack sharp at all focal lengths wide open.

If I buy a f1.8 or f1.4 lens etc..I expect it to be good at those apertures otherwise what's the point of buying it (y)
 
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Try changing the colour of the focus peaking. That should probably changing everything to that colour.
I had an operation for impingement on my right shoulder about 10 years ago, and it’s been perfect since. The surgeon was going to do the left once it had settled, but we moved out of the area. In the interim the NHS decided that operation could no longer be done as “it wasn’t a proven cure”! So I’m left with an iffy left shoulder which has already had a hydro-distension, which was fine for a year, but now they only want to do physio.

Anyway, no, I don’t think you can change the colour of the focus point.

Tried that and it doesn't seem to work. I have some colour blindness in the Red/Brown and the green focus points is great in auto mode but I prefer manual shooting. I also tried comparing the settings with my Z8 but I cant find a way of changing it.

@Stephen L sorry you cant have more surgery to help you. I found little benefit from my 3 ops and they found from further investigations I had compression on my spinal cord in the C3-C6 area. Now on Morphine, Gabapentin and Amitriptyline to help with my pain. Unfortunately I have other disabilities and the Pain Management program was my last option.
 
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If anyone is interested, the Zf is in classifieds just now.
Hope you don't regret wanting to sell it --I assume it's the weight of the system rather than the camera itself as that wouldn't make that much sense? If I was in the UK, I might have been interested but of course thanks to Brexit, it's impossible to send anything abroad now (unless from N. Ireland). I can imagine the Zfc being a nice camera but there are far fewer lenses available for it, although admittedly quite a few Chinese these days.
 
As much as I quite like my little Z30 - same sensor as the ZFC (although I don't use it these days that much), the trouble with Nikon's APS-C line is that as David mentioned above the dedicated APS-C line of Nikon lenses if quite small and only the zooms have stabilization (as of course none of the APS-C bodies have IBIS built in), and are all quite slow aperture lenses, and most of my full Frame Z lenses also don't have stabilization (except the 180-600 and the 100-400). My most used lenses (the 24-120, 14-30, 35mm and 85mm don't have IS so using them on the Z30 sometimes makes it struggle in dim lighting (not even low light), as the shutter speed (and therefore ISO), needs to be be quite high to avoid shake, whereas on all of Nikon's FF bodies they all have IBIS built in.
 
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Hope you don't regret wanting to sell it --I assume it's the weight of the system rather than the camera itself as that wouldn't make that much sense? If I was in the UK, I might have been interested but of course thanks to Brexit, it's impossible to send anything abroad now (unless from N. Ireland). I can imagine the Zfc being a nice camera but there are far fewer lenses available for it, although admittedly quite a few Chinese these days.
You are right on all counts, David. I may decide to keep it to use purely with primes. From an optical point of view there’s nowt wrong with the kit lenses. But they can be aperture-challenged. If they were faster then they would be heavier …
 
Ah no - i'm going to have to test one now :-( If it loud it's a deal breaker as silent mode risks banding too much and i can't take that chance.
I'm sure you'll be happier with a z6iii. IMO the Zf is a weighty brick that definitely needs a grip to be properly usable.
 
I'm sure you'll be happier with a z6iii. IMO the Zf is a weighty brick that definitely needs a grip to be properly usable.
If you’re using zoom lenses. The 28/40 combo are fine on the Zf without the grip.
 
Apologies Trevor as I know you love the beast, but it's not for me. Im not a fan of cameras that I have to grip with my finger tips and really a camera at substantial cost that needs an extra grip. Doesn't take anything away from the workings but I would have thought in Mike's situation the z6iii or perhaps the z8 would be more suited after owning a Z5.
 
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