Hi, on the ground - VERITAS cars ... (M9 - ZEISS Biogon 2/35 f 2,8 ; crops) :
(I took a 35mm lens and not a 50mm because I needed a wider lens for the ROLLS ROYCE section. And I did not take my Distagon because it was sunny and my M9
having a max shutter speed of 1/4000 I would not have been able to open the Distagon more than f 2,8 anyway.
Last but not least, I had not used my Biogon for some time ... )
Some DARKROOM PRINTS from BRIGHTON trip using my 1965 LEICA M2 + 35mm f1.4 Summilux, the Famous FP4+ Type 517 Cine film processed in ID11 stock 10mins @ 20oC, prints on Jessops VC Glossy 7x5" with DURST M305 + 50mm f4 El-Nikkor lens and Crawleys print Dev Formula 1+4 BRIGHTON 24 by Peter Elgar, on Flickr BRIGHTON 25 by Peter Elgar, on Flickr BRIGHTON 26 by Peter Elgar, on Flickr
I have shot an event and a wedding recently with my M10 which I was nervous to do but I wanted to see how I got on with manual focus for such events. Honestly, the camera with the 35mm Summicron was a joy to use and I love the files from it. It's probably the most I have enjoyed using a digital camera in many years.
I also made the mistake of renting the Q2M from Leica for this weekend and after playing with it in the house, I feel that this was a massive error that could become expensive. I can't see me buying a monochrome but the Q2 is a lovely thing.
In a follow up to my last post, the Q2M is incredible! I didn't want to like it this much. I am now trying to figure how I can afford a normal Q2 (colour) like the one in the classifieds. It's ridiculous how much I like it.
In the meantime, here is a photo from my recent trip to Spain. I shot mostly the MP with 6 rolls of film over a couple of days with the odd photo from the M10.
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