We expect many potential buyers will be interested in comparing the 50mm F2 Macro to the Sigma 50mm F1.4 EX DG HSM, which has been recently announced in Four Thirds mount. Our recent review of this lens (albeit in Canon EF mount) should give a good idea of what to expect; the Sigma is likely to be no slouch on Four Thirds, but unsurprisingly for a lens designed for a format with four times the area, won't quite achieve the same stellar levels of sharpness we see from the Olympus macro. The faster maximum aperture and more refined ring-type USM focusing will surely make the Sigma a compelling option for portrait shooters, but in all other regards the Zuiko is likely to be the better all-round option.
So in summary we have a lens which, despite its design flaws, offers a winning combination of optical quality and solid build in a compact package. The greatest strength of the Four Thirds system undoubtedly lies in the optics, and the 50mm F2.0 macro ranks alongside the likes of the Zuiko Digital ED 12-60mm F2.8-4.0 SWD as one of the finest lenses of its type currently available from any manufacturer. With its relatively fast maximum aperture, it also offers Four Thirds users the opportunity to use true selective focus effects. Quite simply, every E-system user should own one.