Ektar is a great film for these subjects.Fujica GW690
Kodak Ektar
Lab developed.
Home scanned and converted with Negative Lab Pro.
Morris Minor 1000 by fishyfish_arcade, on Flickr
Austin A30-2 by fishyfish_arcade, on Flickr
Austin A90 Six Westminster by fishyfish_arcade, on Flickr
Loving the Mk11 Cortina 1600E, it brings back memories of ragging a friend's car around the lanes of East Yorkshire back in the 1980's, his was a metallic burgundy with a black interior.Fujica GW690
Kodak Ektar
Lab developed.
Home scanned and converted with Negative Lab Pro.
Ford Cortina Mk III by fishyfish_arcade, on Flickr
Ford Cortina Mk III interior by fishyfish_arcade, on Flickr
Ektar is a great film for these subjects.
Olympus OM2n, Zuiko 35mm f/2.8, Ilford XP2 Super, lens poked through a wire fence.
Newcastle skyline 2 by Kevin Allan, on Flickr
Really nice shot Kevin. That's a great vantage point. Is it somewhere accessible to the public?
Yes, it's taken from the Tyne Bridge. At the moment there are roadworks in place but you can still walk on the upstream side across the bridge.Really nice shot Kevin. That's a great vantage point. Is it somewhere accessible to the public?
Fujica GW690
Kodak Ektar
Lab developed.
Home scanned and converted with Negative Lab Pro.
Capri by fishyfish_arcade, on Flickr
Capris by fishyfish_arcade, on Flickr
Those have scanned beautifully, mine always look like they have been scanned with a potato. Love to know which lab.
I've always tended to stay away from developing faster speed films with Rodinal, but decided to give it a try to see the results for myself. The negatives are noticeably grainier than had I used DD-X but the 120 format probably hides the worst of it, and they otherwise look ok (although the edge acutance makes me wonder if they look over-sharpened). I'll happily use Rodinal with faster films, but I'll probably avoid developing anything above 125asa with it in the future unless I'm wanting a particular look.
Zeiss Mess-Ikonta 524/16
Kodak Tri-X (with yellow filter)
Adox Rodinal 1+50 13mins @ 20°
I'm not sure what you're seeing is due to Rodinal, in general. How do the negatives look like? If they're overdeveloped, that might accentuate the 'scanned grain' look. Else there might be something related to scanner interaction with the grain..
Here are some examples in my own worflow - Rodinal 1:50 and Fomapan 400 in an old Agfa 120 folder much like the one you use, but with an uncoated triplet
Incident exposure at 250 EI and development time cut by 25% over the manufacturer's recommendations.
I have 0 experience with Tri-X but I'd try 10 minutes next time and see how you get on. MDC info can be quite erratic IME.My development times were the ones given by the Massive Dev Chart app, and temps and timings would have been on the mark based on that. Perhaps reducing the time might have benefited the results. Looking at the original scans, I think some of the graininess is a result of post processing, so maybe I'll see if I can make some tweaks and improve things.
Your gw690 is showing off a bit, well, and the photographer.Fujica GW690
Lomography Color Negative 400
Lab developed.
Home scanned and converted with Negative Lab Pro.
Jaguar E-Type by fishyfish_arcade, on Flickr
1959 AMC Rambler by fishyfish_arcade, on Flickr
1954 Kaiser Darrin by fishyfish_arcade, on Flickr
Thanks Tony.Your gw690 is showing off a bit, well, and the photographer.
Treatment suites this perfectly. Nice capture.